这是一个研究项目，涉及社交媒体（Facebook）与政府、用户等实体之间的权力动态。 他们使用推测性设计来想象一个“你就是你的智能手机”的世界（至少在政府眼中是这样）。 权力和政治的概念是一个有趣的方面，可能会在我们的工作中引发有趣的问题。

This is a research project that deals with the power dynamics between social media (Facebook) and entities such as the government, the users etc.

They use speculative design to imagine a world where "you are your smartphone" (at least in the eyes of the government).

The concepts of power and politics is an interesting aspect that could provoke interesting questions in our work. 🔗 Metahaven’s Facestate — Are.na

Facestate是阿姆斯特丹设计工作室Metahaven的一个研究项目，批评当代自由主义。 在脸书上，我们谈论了很多关于人权和自由的重要性。我们经常分享关于一个国家不干涉经济的倡议，并喜欢关于自由市场的帖子。然而，世界上最受欢迎的社交网络不会遵守这些原则。脸书正在为垄断而战，拥有WhatsApp、Instagram和其他十几家大公司，它大胆地改变了有利于自己的用户协议条件。 Facestate项目详细描述了Facebook对我们生活的影响所带来的这些后果。如果社会网络成为一个独立的国家，使社会契约理论成为现实，该怎么办？正如盲目接受任何用户协议一样，我们允许脸书控制社交过程。 为了展示如果人们为了一个假设的国家而放弃自己的权利会发生什么，设计师们创造了一个虚构的Facestate的身份，其中包括护照、人脸识别设备、数字钱包和其他符合他们概念的物品。

Facestate is a research project by an Amsterdam design studio Metahaven that criticizes contemporary liberalism.

In Facebook, we talk a lot about the importance of human rights and freedom. We often share initiatives on a state’s non-interference in the economy and like posts about a free market. However, the most popular social network in the world is not going to comply with these principles. Facebook is fighting for a monopoly and, owning WhatsApp, Instagram and a dozen other large companies, boldly changes user agreement conditions in its favor.

These consequences of Facebook’s influence on our lives are described in the Facestate project in detail. What if the social network becomes an independent state that makes the theory of social contract a reality? As blindly accepting any user agreements, we allow Facebook to control social processes.

To showcase what would happen if people give up their rights in favor of a hypothetical state, designers have created an identity of a fictional Facestate that includes a passport, a face recognition device, a digital wallet and other items in line with their concept.

Critical Graphic Design: Critical of What? | Modes of Criticism